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- HOW TO LOAD ROLLEIFLEX 2.8 FULL
- HOW TO LOAD ROLLEIFLEX 2.8 PROFESSIONAL
- HOW TO LOAD ROLLEIFLEX 2.8 SERIES
Let's take a look at the history of Rollei TLR camera.Ĭlick each camera that you are interested. The sturctures and the mechanisms were improved step by step from Rolleiflex Original introduced in 1928 to Rolleiflex 2.8Gx in 1987.
HOW TO LOAD ROLLEIFLEX 2.8 SERIES
The images that I was able to produce with this camera were pleasing.We introduce the two series of world-famous TLR camera, Rolleiflex and Rolleicord. Ultimately, I do not think I will purchase this camera, as my Hasselblad 501c has filled the need, but that does not stop me from appreciating it and absolutely loving using it. There is not much to them, while still being amazing pieces of equipment. Part of the beauty of these older cameras is their simplicity. The locking mechanism on the door is also much more sturdy than other TLRs. The user just has to make sure to load the film through these rollers, otherwise, the user will just wind the entire roll through. Unlike my Yashica, where you have to wind to the start mark, the Rolleiflex has an ingenious system of rollers the sense the thickness of the backing paper. One main difference of this camera to other TLRs is the automatic film loading. The problem with the older models of these cameras is that the viewfinder and viewing screen and not easily replaceable, whereas the 2.8f and beyond are interchangeable. It took me a while to get used to this, but half my camera usage is like this now and it has become second nature. And, because there is no prism, the image is flipped. There is no meter on this camera, but using a handheld meter or your phone is pretty common. It is a very efficient and well thought out system.įocus is around 1 meter to infinity, as with most TLRs. As with most higher end TLRs, both aperture, and shutter are changed with dials on each side of the lens and viewed from the top down on the lens. Almost every TLR camera has a steel roller on every side of the film window and over these rollers you lay the protection paper of the film before threading.
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The aperture on this camera is F2.8 to F22, hence the name. The Rolleiflex uses a system called automatic film detection (hence the model name Automatik) which can fool even experienced TLR owners when they load a Rolleiflex the first time. Without a mirror slap, taking a photo with this camera is an almost soundless affair. The shutter, a leaf shutter, is almost silent. This is done by pressing in and turning the small button on the front of the aperture knob. Sure, this isn’t the golden-child f/2.8 Planar. This was THE news camera of its day, and that legacy still shines through reliability, ease of use and image quality. Where the Rollei sets itself apart here, the user can lock in the shutter and aperture and use the EV scale. In use the Rolleiflex rewards careful composition, but it’s a much quicker shooter than I expected.
HOW TO LOAD ROLLEIFLEX 2.8 FULL
Shutter Speeds, much like every other TLR I've owned, range from B to 1/500th in full stop increments. If you do decide to hop down the Rolleiflex pathway, especially with these older models, consider a Maxwell screen, it is well worth the investment.
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I used to have a Hasselblad with a couple of backs, it's cool, but I don't miss those backs now that I'm using a Rolleiflex. With interchangeable backs, well it depends on how quick you need to change film types or reload. The example he loaned me was perfectly functional in every way, including a new Maxwell screen he had installed. As for f/2.8, only you know if you need that, I know I don't on my Rolleiflex 2.8GX, f/3.5 would be just fine. My friend Steve, who also loaned me a pristine Hasselblad 501cm, said I could try out his Rolleiflex, I jumped at the chance. While there is nothing wrong with the Yashica, as there is nothing wrong with a Chevrolet, the Rolleiflex is the Cadilac.
HOW TO LOAD ROLLEIFLEX 2.8 PROFESSIONAL
I started my medium format trip with a Yashica EM that has produced some of my favorite photographs but has always left me wanting a more professional TLR, and the Rolleiflex is exactly that. My camera buying habits have led me up a path that culminated in having the top of the line camera for each design that I prefer to shoot. I've handled and used a 2.8gx and it feels wonderful, to each their own I guess. The 2.8f is the "holy grail" and what many consider to be the last true Rollei, as the following 2.8gx, 2.8fx, and 2.8fx-n were all made by a different company. The 2.8e was the first with a light meter. The differences between any of these cameras are incremental upgrades and different lenses. The previous model, the 2.8c has 10 aperture blades and is sought after for that reason. The model that I have, which is actually a friend's, is the 2.8D. I'm sure if you want to read the history of Rolleiflex, a simple Google or even Ask Jeeves search will find what you need.
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The first Rolleiflex was introduced in 1929, and the first 2.8, the 2.8A, came in 1949. There are not many cameras quite as venerable as a Rolleiflex.